„Der Spieltrieb soll nicht bloß Sachtrieb, und soll nicht blos Formtrieb, sondern beydes zugleich, das ist, Spieltrieb seyn. Mit andern Worten: der Mensch soll mit der Schönheit [nur spielen], und er soll [nur mit der Schönheit] spielen. // Denn, um es endlich auf einmal herauszusagen, der Mensch spielt nur, wo er in voller Bedeutung des Worts Mensch ist, und [er ist nur da ganz Mensch,] [wo er spielt].“
(Friedrich Schiller: Über die ästhetische Erziehung des Menschen, 15. Brief)
Abenteuer in der Nachbarschaft präsentiert:
Yasushi Yamamoto & ASUNA + Nils Quak
25.11.2026 20:00
Asimmetric Bar, Köln, Venloer Str. 196
Eintritt: Spende
Gefördert vom Kulturamt der Stadt Köln
Yasushi Yamamoto & ASUNA

Photo: Hiromi Yamashita
Yasushi Yamashita is the founder of Inoyama Land, a legendary group in the Japanese ambient music scene. Their music is currently being re-evaluated in the world, with many of their records being reissued, and they have recently resumed performing. ASUNA is known for their performance „100 Keyboards,“ as well as for using a large number of toy instruments, and for their research and composition of physical acoustic phenomena.
About 20 years ago, ASUNA had the opportunity to perform with the Inoyama Land at a small record store in Tokyo called Enban. Since then, Inoyama Land has participated in a Casiotone compilation on Asuna’s aotoao label, and they have exchanged recordings with each other, and many years have passed since they said they would record together someday. This year, Yamashita visited Asuna’s show at memorial concert for Ryuichi Sakamoto, and through mutual acquaintances such as Italy’s Passepartout Duo, the talks of recording together have progressed concretely, and the recording in Tokyo has finally become a reality. Yamashita & Asuna played synthesizers and toy instruments that they brought with them, exchanging them with each other, and while leaving the studio door open to feel the outside air, they played guitars and pianos that happened to be in the studio, and recorded improvisationally in a relaxed atmosphere, including performances that they don’t usually do. The quiet and warm conversation resonated with the strong and gentle ambience that they have been walking so far, along with the idyllic wind of spring in Tokyo. After that, ASUNA edited the album and completed it. This album was released simultaneously on vinyl and CD by Kanu Kanu Recordings in Poland and HEADZ in Japan. It was followed by a tour in Japan, mainly at museums and theatres.
DISCOGRAPHIE
Yasushi Yamashita & ASUNA – „Before Sunset, Street Corner, Cafe Fabre“Release from Kanu Kanu Recordings in Poland & HEADZ in Japan
https://kanukanu.bandcamp.com/album/kanu-009-yasushi-yamashita-asuna-before-sunset-street-corner-cafe-fabre
ASUNA & Takahiro Yamamoto – Wrong Rotations & Weakened Toys
https://econore.bandcamp.com/album/wrong-rotations-weakened-toys
ASUNA & Shibata – Doeruless Park / Graceless Park
https://econore.bandcamp.com/album/doeruless-park-graceless-park
Inoyama Land – Commisions: 1977-2000
https://lightintheattic.net/collections/inoyama-land
Links
ASUNA
https://www.subterraneomag.com/asuna-arashi/
https://sites.google.com/site/aotoao3inch/?pli=1&authuser=0
Inoyama Land
https://www.youtube.com/watch?v=ID1S_yf3VLU
https://www.youtube.com/watch?v=c7qGEMsG1Jk
Nils Quak

Nils Quak ist überzeugter Dilettant und Amateur. Seine Klänge irrlichtern irgendwo zwischen kosmischen Forschungsreisen, Ambient und einem schlechten Acid-Trip im New-Age-Ashram Gröbenzell: Mal schwebend und leicht, mal dissonant und schroff sind die Sounds, die aus seinen Synthesizern blubbern. Turn on, tune in und dann schauen wir mal. Der perfekte Soundtrack für verregnete Sonntagnachmittage mit den Schwiegereltern.
nilsquak.bandcamp.com
